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Anna Parisch

Switzerland

About

Anna Parisch has developed a distinctive visual language that is characterised by authenticity and emotional fidelity to the subject.
The artist's oeuvre is evident of influences from orthodox art and minimalism, created using elaborate mixed media techniques such as watercolour, oil, acrylic, pastel and cyanotype. The artist undertakes extensive research to identify suitable pigments, sourcing them across Europe.

Significant inspiration has been drawn from a diverse range of sources, including the works of Andrey Rublev, W. Turner, Zao Wou-Ki and Toko Shinoda. Parisch's background is deeply rooted in the Orthodox tradition, where the vibrant colours of icons and frescoes have been a constant presence throughout her upbringing. Consequently, Parisch has been motivated to draw inspiration from the mastery of iconography and fresco painting, as exemplified by the works of Andrey Rublev and Theophanes Grec.

However, Parisch has also developed further forms of expression in her artistic development, creating a specific atmosphere in her abstract works of art exclusively determined by the use of shapes and colours. In the works of the Sumi-e series, she also thematises Zen philosophy, using Chinese ink and washi paper. The complexity inherent in these works derives from the simplicity of their composition, whereby the disciplined application of gestural marks meets the fluidity of ink application. Parisch's artistic practice is characterised by a profound engagement with the Japanese aesthetic concept of wabi-sabi, which emphasises the acceptance of imperfection and the appreciation of simplicity.
This artistic approach facilitates the perception of the moment and the experience of the aesthetics of imperfection, transience and modesty.

Vita

Anna Parisch: the artist who is always different but always authentic
Anna Parisch gained recognition as a freelance visual artist due to her innovative creativity and singular approach to art. Combining the aesthetics of traditional materials and techniques, she produces original creations. Based in French-speaking Switzerland, this art and painting enthusiast explores new styles and is constantly renewing her work.
Born in 1971, with a degree in history, she began her artistic career with a series of key encounters that led to formative experiences. Parisch's distinctive visual style is characterised by a constant pursuit of novel techniques, reflecting both her patience and her audacity.

A career marked by inspiring encounters
During her career, Anna Parisch has encountered a number of individuals of considerable significance within the art world, who have had a formative influence on her artistic development. A notable example of this is her meeting with the eminent master Edvard Vyrzhikovsky in 1998, who offered her the opportunity to paint in plein air.
Subsequent to this revelation, the Swiss artist enrolled in and successfully completed prestigious training courses at the École des Beaux-Arts du Genevois (ESAAA) and the École des Beaux-Arts (EBA), two renowned institutes. Thereafter, she refined her painting skills through numerous workshops and the comprehensive Martenot method. Over the years, her artistic approach has been enriched by the inspiration of renowned masters such as Andrey Rublev, Toko Shinoda, Nicolas De Staël and Zao Wou-Ki.

A wealth of technique at the service of experimentation
Anna Parisch is a versatile artist who is unable to define her own style. The style of her work depends on the desired vibrancy, whilst maintaining authenticity. Her artistic practice encompasses a diverse array of media, including Sumi-e and Suminagashi, as well as cyanotypes, oil, watercolour, egg tempera and acrylic.
Parisch's passion for pigments is evident in her practice of sourcing unique, natural shades from her travels to incorporate into her work. Her experimental approach has been influenced by the Japanese Wabi-Sabi philosophy, which emphasises the beauty of simplicity in art.

Nature at the heart of her artistic expression
Parisch's artistic practice is evidently inspired by her environment, which serves as a source of creative energy, prompting her to experiment with novel techniques and media. By employing traditional materials such as Indian ink, walnut stain, and fine oyster shell powder (Gofun), she seeks to re-establish a connection with nature.
The aesthetic appeal of her work becomes the focal point, reflecting an artistic approach that is characterised by a respect for natural materials. The aesthetic appeal of Parisch's oeuvre, characterised by a unique blend of elegance and imperfection, serves as a catalyst for introspection, inviting viewers to contemplate the emotions evoked by this juxtaposition of qualities.