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Art Momentum City Gallery

Switzerland

The Art Momentum gallery, situated in the centre of Biel/Bienne, is dedicated to the promotion of contemporary art. Since its inception, the gallery has established itself as a significant platform for artists who pursue innovative and experimental approaches in their work.

Furthermore, exhibitions are presented in innovative, occasionally unconventional locations within the surrounding neighbourhood. In this way, art outside the city is made accessible to a wide audience, new perspectives on artistic positions are opened up and the relationship between art and space is explored anew.
The Art Momentum gallery presents a diverse array of artistic forms of expression, encompassing painting, sculpture, photography, video, and installation art. The exhibitions frequently exhibit a profound social consciousness and reflect contemporary themes and discourses. This results in a dynamic dialogue and reflection that extends beyond the mere presentation of art. The Art Momentum Gallery serves as a vital hub for artistic experimentation and interdisciplinary exchange.

Featuring:
Schang Hutter
Roland Adatte
Giovanni Trümpi
Katharina Mörth David Werthmüller
Corinne Gnägi
Arijel Štrukelj

SCHANG HUTTER

Schang Hutter (1934-2021) was a significant Swiss sculptor whose oeuvre is defined by striking and emotive sculptures.
Hutter was born in Solothurn and was raised in an environment where art was held in high regard. He developed a pronounced interest in sculpture at an early age. Subsequent to his training at the School of Applied Arts in Bern and further studies in Germany and Italy, he developed an independent and distinctive artistic style.
Hutter is particularly renowned for his large-format sculptures, which frequently portray human figures and faces. The artist's oeuvre is distinguished by a pronounced emotional expressiveness and an in-depth examination of existential concerns. The artist frequently addresses themes related to the human condition, including existence, suffering, and transience. This thematic exploration often imbues his sculptures with a profound and occasionally melancholy quality.
A central aspect of Hutter's oeuvre is his exploration of the forms and proportions of the human body. The depiction of human figures is characterised by a distortion and abstraction that serves to accentuate the inner states and emotions of the subjects. The works are frequently composed of materials such as bronze, stone, and wood, which were crafted with remarkable precision.
Hutter's sculptures frequently represent a critical examination of social and political issues. The artist subjected the events of his time to rigorous analysis and incorporated them into his artistic oeuvre. Consequently, he produced works that were not only characterised by aesthetic elegance but also by a profound and thought-provoking impact. Hutter's work has been showcased in a multitude of exhibitions, both within Switzerland and on an international scale. He has been the recipient of numerous accolades and honours in recognition of his artistic achievements and contributions to the art scene. A significant proportion of his sculptures are situated in public spaces, thereby contributing to the cultural landscape of a number of cities.
The artistic legacy of Schang Hutter continues to exert a profound and enduring influence, inspiring and resonating with audiences across generations. The artist's sculptures prompt the viewer to engage in a process of introspection, prompting an examination of human nature, the structures of our society, and the fundamental questions of life. The sculptor's objective was not to represent a natural form, but rather to convey a message through the figures. The theme of 'More - Less' represents a central motif in Schang Hutter's oeuvre, manifesting itself in both his sculptures and his life and being. The motto 'More – Less' continues to exert a profound influence on numerous individuals, both during the sculptor's lifetime and in the subsequent era.

ROLAND ADATTE

Roland Adatte is a Swiss artist whose work is distinguished by a notable degree of versatility and occasional unconventional approaches.
Adatte's oeuvre is largely inspired by his immediate surroundings and personal experiences. The works are distinguished by an in-depth examination of a multitude of themes, including identity, nature and the interconnection between humanity and the natural world. A defining feature of Adatte's oeuvre is his proclivity for experimentation. The combination of different techniques and styles serves to create new and fascinating visual experiences.
Adatte's oeuvre permits the viewer to consider the world from novel perspectives and to engage with art in hitherto unanticipated ways.
The artist's motto, "Stay a guest in life," is evident in his oeuvre, which is also represented in the collections of the Olten Art Museum and the Solothurn Art Museum, among others.

GIOVANNI TRÜMPI

Giovanni Trümpi is a Swiss painter whose artistic work is distinguished by an exceptional capacity to portray light and colour in a manner that elicits astonishment in the viewer.
His oeuvre is dedicated to abstract painting. The artist is particularly drawn to the world of colours, fantasies and forms. His creative process is characterised by an inner drive and subjective aesthetic sensibility.
The artist's technique is based on a layering technique using a variety of materials and tools, including acrylic, sand, collage, brushes, rollers, sponges, and other materials that are unusual for painting. The subjects are largely inspired by classics of jazz and rock music.
The works of Giovanni Trümpi not only captivate the viewer aesthetically, but also prompt a profound reflection on the transient beauty of the natural world.

KATHARINA MÖRTH

For Katharina Mörth, art represents an ongoing examination of her own self and the environment. In this context, artistic activity can be understood as an engagement with the limitations of the self and the environment.
To date, the artist has concentrated her creative efforts on working with a range of materials, including wood, stone and metal. The artist's oeuvre encompasses a diverse range of works, including sculptures, objects, wearable art, and clothing. The material experiments conducted oscillate on the border between concealment and representation. The physical realisation is an inherent and integral aspect of the form.
The form is therefore manifested as a consequence of the limitations of the material and the physical exertion invested in the working process. This may be achieved, for instance, through the carving of stone, the sawing of wood, or the welding of steel. The hollowing out of a wooden trunk results in a kind of perforated cocoon shell that is in a state of instability, yet still possesses a degree of stability. The transformation of solid stone into a filigree object that serves as a thin boundary represents a pivotal aspect of the artistic creative process. The artist draws inspiration from both the natural world and the urban environment.
Katharina Mörth's work explores the concept of interfaces, which are phenomena that do not fit neatly into the conventional categories of painting, sculpture, or architecture. These objects are characterised by a certain degree of ambiguity, in that they allow for a number of different interpretations. Consequently, objects were created that are both functional and possess an underlying intellectual dimension. The utilisation of materials that are originally derived from the field of architecture, yet cannot be categorised within the conventional aestheticism that is often associated with it, serves to enhance the intrinsic value of the work.

DAVID WERTHMÜLLER

David Werthmüller's artistic output demonstrates a synthesis of abstract forms and a critical interpretation of the living.
The artist's sculptures are distinguished by their jagged structures, biomorphic fractures, and an archaic quality evocative of earlier natural forms. In this context, he presents a noteworthy approach to the history of art, combining traditional sculpture with a welding technique he has refined over time.
The artist's oeuvre comprises a series of unique sculptures crafted from iron. The artist conveys emotions and moods in a subtle yet powerful manner. The artist's works encourage the viewer to engage with them in a profound manner, prompting the development of personal interpretations.

CORINNE GNÄGI

Corinne Gnägi is a Swiss artist whose oeuvre is distinguished by an impressive artistic vision. In an earlier phase of the creative process, she produced watercolour paintings, which were subsequently superseded by acrylic painting and mixed media. Nevertheless, the 'Papier-Collé' technique continues to represent a significant aspect of Corinne Gnägi's oeuvre. In 2012, she expanded her repertoire to include the monotype technique, while in 2014 she turned to oil painting. In more recent times, she has also embraced screen printing. In her oeuvre, the artist frequently employs a variety of forms, colours, and textures to prompt the viewer to reflect on the depicted subject and to evoke an emotional response.

ARIJEL ŠTRUKELJ

Arijel Štrukelj is a Slovenian sculptor whose oeuvre is characterised by dynamic and often abstract sculptures that explore the intersection of form, space and texture. His work is distinguished by a bold and fluid aesthetic, as well as a modernist approach that synthesises classical sculptural techniques with contemporary themes.
Frequently, Štrukelj employs traditional materials, including stone, bronze, and metal, which he deftly manipulates to construct sculptures of varying scales. His work evinces a profound comprehension of the intrinsic characteristics of the materials he employs, deftly combining fluid contours with precise, angular forms.
Thematic content in Štrukelj's work frequently encompasses abstract concepts such as movement, balance and tension. His sculptures can evoke a sense of energy and fluidity, imparting a sense of dynamism even to static objects. The combination of organic and geometric forms in his work may be seen to evoke a connection with both nature and architectural design.
Štrukelj has exhibited his work in a number of galleries and public spaces in Slovenia and abroad, thereby contributing to the development of contemporary European sculpture.
The work of Štrukelj demonstrates an interest in the capacity of sculpture to engage with both space and the viewer, thereby establishing a dialogue between physical form and the viewer's perception. His works frequently prompt viewers to adopt different angles and perspectives, thereby disclosing novel details and forms as they navigate the sculptures. His oeuvre reflects a profound respect for the sculptural heritage and a progressive approach to the medium, which is informed by a deep engagement with the historical and theoretical foundations of sculpture.

See more of this gallery here: Presentation 2023